Decor Arts Now

By Lynn Byrne.  Blankets are not just warm, they are HOT.

I see blankets popping up all over the place as everyone’s fresh new topper.  

New blanket offerings from Schoolhouse Electric

Dwell Studio's latest collaboration with Pendleton

Vintage (1974) blanket cape

But, of course, the Pendleton and Hudson Bay variety have a rich history.

HUDSON BAY COMPANY

The Hudson Bay Company actually preceded Pendleton by more than 100 years.  Hudson Bay has manufactured blankets since 1779 and are known best for its striped blankets in indigo, yellow, red and green as seen in the first photo above, although they do come in other colors.

Native Americans prized the blankets for their ability to hold warmth even when wet and because they were easier to sew than animal skins.  They traded beaver pelts, moccasins, buffalo skins and other trade goods for them. Yep, Indian trade blankets were not made by Indians, they were made for them.

"Pioneer at Fort Garry 1861", oil on canvas by Adam Sherriff Scott assisted by E.T. Adney, 1925. Detail from mural installed in the Winnipeg Hudson's Bay Company store depicting aboriginals, Métis and settlers wearing blankets and engaged in trade.

Hudson Bay Blankets in other colors.

 The short vertical lines seen on the traditional capote shown below, made from a Hudson Bay blanket, are known as “points” and the number of lines denote the size of the blanket.

In 1890, because other companies (including Pendleton) were making similar blankets, Hudson Bay began to label its blankets.  The labels are how most collectors date the age of the blanket.

If you ever spy an unlabeled, round corner blanket, scoop it up.  It could date before 1890.*  Click here for more information on collecting these blankets.  Here is an example of the Hudson Bay label used between 1934-1940. 

PENDLETON WOOLEN MILLS

Pendleton’s earliest roots began when Thomas Kay travelled across the country in 1863.  Kay landed in Oregon and began working in the woolen mills.  But, it wasn’t until 1909 when Kay’s grandsons, Clarence, Roy and Chauncey Bishop, moved the business to Pendleton, Oregon and took over an idle woolen mill located there, that the company Pendleton Woolen Mills was born.  The company still operates a mill in Pendleton and continues to be run by the Bishop family.  It handles all aspects of production from sourcing the wool to the actual weaving of the blankets.

With fabled Indian chief Geronimo as its first celebrity customer,  it is Pendleton Woolen Mills that developed the brightly hued Native American blanket designs.   The company took particular care to learn about the native mythologies and design preferences of its Native American customers.

Chief Joseph, Nez Perce, with a Pendleton Blanket.

That tradition continues today.  Each year Pendleton Woolen Mills, issues a “Legendary Collectible Blanket” that they design in close consultation with Native Americans.  The blankets are intended to be “heirlooms for tomorrow” and each bears a suede patch telling the blanket’s story.  Click here to see the series.  I particularly like the blanket issued in 2010.  Known as as the Lakota Way of  Life, it is intended to represent the Buffalo Nation.

Pendleton expanded into clothing, first for men in 1924, and then for women in 1949.  Fun fact: The Beach Boys were originally know as the “Pendletones.”  Even after they changed their name, they continued to wear Pendleton wool shirts on album covers throughout the 1960s.

The Beach Boys in Pendleton wool shirts.

The company’s first design for women was known as the 49er jacket.  An immediate hit, it was the “must have” jacket throughout the 1950s.  Lucille Ball wore one in a famous episode of  ”I Love Lucy”  called “The Camping Trip” in 1953.  Pendleton still offers them. 

If you are interested in collecting Pendleton vintage blankets, they, like the Hudson Bay blankets, are often dated by their labels.  Click here for more information.

I picked up my vintage Pendleton blanket on Ebay for around $60.  It is warm and cozy and not at all itchy.  I bought it because I liked the colors.  It can’t be that old—the label on my blanket bears the woolmark logo, which was designed in 1964.  

So get snuggly everyone.  Whether I have inspired you to start a collection, or you decide to buy new, wearing a blanket, or accessorizing your home with one is right on trend. 

*When researching this post, I came up with several different dates and makers of the round cornered blanket, ranging from 1890 to 1909.  All sources agreed, however, that a round corner could indicate age.

Photo credits: 1. Marion House Book  2. From Me To You tumblr  3. Schoolhouse Electric  4. UrbanOutfitters.com  5. Dwellstudio  6. Design Sponge  7. Linda in Wonderland  8. Urban Outfitters  9. Pendleton for Opening Ceremony  10. Pendleton Fall/Winter 2011  11. J.Crew  12. Couture Allure  13. pointblanket.com  14.-15. Wikipedia  16. Pendleton via National Musuem of the American Indian, Newservice  17. Pendleton  18. LA Times  19. Sailing Over A Cardboard Sea  20. LA Times  21. Barry Friedman’s Indian Blanket page

Charleston

By Lynn Byrne.  When a designer talks about decor inspired by the Bloomsbury Group, they really mean the farmhouse known as Charleston in Sussex, England. 

Charleston was exuberantly decorated primarily by artists, Vanessa Bell and her partner Duncan Grant who moved there in 1916.  Vanessa’s husband Clive Bell, David Garnett and John Maynard Keyes also lived at Charleston for long periods.  Vanessa’s sister Virginia Woolf, her husband Leonard Woolf, Lytton Strachey and Roger Fry visited often.  It was (and is) considered a hot bed of creativity, emphasis on “hot bed.”  Everybody was sleeping with everybody else at various points.

There.  Did I get your attention?

The term “Bloomsbury” actually refers to the London neighborhood where this group met to discuss and exchange ideas.  Charleston was their country retreat.

But it is the decoration found on the walls, doors and furniture at Charleston, not the neighborhood of Bloomsbury, that actually holds significance in the decorating world and continues to inspire designs today.  Vanessa Bell’s son Quentin Bell and her granddaughter Virginia Nicholson, wrote the definitive book on Charleston’s decor.  I just ordered mine from Amazon.

Recently in Vogue, Virginia Nicholson recalled her visits to her grandparents’ house.  She describes the rooms as “a progress of color and pattern….Flowers and sculptural forms in pink, lemon, and green processed across doors and cupboards, while, against an azure sky, full-bosomed goddesses presided over the fireplace.”

She remembers being bribed, a sixpence an hour, to pose while her grandmother ‘Nessa and Duncan painted her.  She recalls the household pottery too, and her father spending summers working with clay to replenish it.  When Virginia is in the dining room, she envisions her grandmother sitting in her favorite red chair drinking coffee and giving young Virginia sugar cubes that she first dunked in her coffee as a treat.

I am captivated by Virginia’s memories.  They bring to life members of  the Bloomsbury Group.  No longer are they just legends but were real people, with Charleston, a true home.

Virginia says on her website that “the house was always a place of uninhibited, messy creativity.  There was always paint, clay, paper, glue and matches to play with.  I grew up believing Art was something everyone could do.”

Here’s a look at the source of all that inspiration.

Drawing room at Charleston

Detail of doorway painted by Vanessa Bell

Virginia by Duncan Grant, 1960

Dining room at Charleston

Duncan Grant's Studio at Charleston

Vanessa Bell by Duncan Grant

Plant pot by Quentin Bell, c.1951

Duncan Grant textile designs

The Pond by Vanessa Bell, 1916

Sanderson has done a wonderful job capturing the mood and feeling of Charleston in its new Bloomsbury fabric range.

In addition, even though it is not billed as such, I also think Suzanne Kasler’s new fabrics for Lee Jofa have a Bloomsbury feel.  Do you agree?

Since I have been reading up on Charleston, I feel like I see it everywhere.  This home featured in the January 2012 UK Country Living has Swedish roots, but I still sense Bloomsbury when I look at it.  Don’t miss that decorated door in the second photo. 

And do you remember that wonderful spread in Domino where an entire Brooklyn apartment was done up a la Charleston?  

The homeowner, Kate Bolick, even dressed the part, wearing an outfit by British designer Alice Temperley with a period feel.  So romantic. 

The Bloomsbury world is seductive (and I don’t mean their sleeping arrangements ).  I am looking around to see what I can recover in one of the new fabrics.  Or perhaps I will borrow artistic son Patrick’s paints (or better yet, enlist his help), to start decorating the walls.

I think Virginia Nicholson is right.  Art is something everyone can do (or at least appreciate and experience).

 Photo credits: 1. Virginia Nicholson’s website  2. 2thewalls tumblr  3. Silive  4. Telegraph  5. Virginia Nicholson’s website  6. Guardian  7. 2thewalls tumblr  8. Bloomsbury in Sussex  9. Brighton and Hove magazine  10. Collecting 20th Century Rural Culture  11. Little Augury  12. South Downs

Domino photos via Roseland Greene and Moodboard.  The Vogue article appeared in the December 2011 issue.